Wednesday, December 26, 2012

Blood-soaked 'Django' isn't for everyone

By Gael Fashingbauer Cooper, NBC News

REVIEW: There are reasons to see "Django Unchained." Christoph Waltz is excellent as a pre-Civil War bounty hunter who buys and frees slave Django (Jamie Foxx) and teams up with him to find his sold-off wife. Leonardo DiCaprio, as a disturbing plantation owner who stages forced fights between muscular slaves, is creepy in a way that would've horrified sweet Jack from "Titanic." Writer and director Quentin Tarantino has not lost one bit of his ability to deliver compelling, smart dialogue and set up situations where you simply have to see what's lurking around the next corner.

And there are reasons not to see "Django Unchained." Blood falls like snow, pours like rain, wraps scenes like a blanket. It hangs in drippy, nasty gobbets, it takes flight like a flock of seagulls. There are whipping scenes, a near castration, and other tortures inflicted on the slaves. Yes, the N-word is used 100+ times, but it's hard to argue that usage isn't historically accurate. The forced slave fighting, dubbed "Mandingo fighting" in the film, is horrific -- if you've ever wondered how a pure one-on-one, mano-a-mano beating can kill a man, here is your visual evidence.

"Django" shares some elements with Tarantino's "Inglourious Basterds." There's the satisfaction in both films of seeing the oppressed rise up against horrible historical?tormentors. Waltz's German bounty hunter finds American slavery disgusting, so he stands in for the audience as the horrors unfold. When he strikes out for justice, we're satisfied. Another scene portrays a pre-KKK group as a bunch of bumblers who can't even see out of their hastily hand-sewn masks, nicely crumbling their would-be terror plan.

You can take "Django" as a romance, as Django fights to get back to wife Broomhilda (Kerry Washington). You can take it as a reminder of the horrors of slavery, writ bloodily and brutally by the hand of a filmmaker who knows how to present violence in a most cinematic way. You can simply appreciate the performances of Waltz, Foxx, DiCaprio, Samuel L. Jackson as a cruel house slave, and, in a goofy little cameo, Tarantino himself.

But when all's over, and the ending blows up in typical big Tarantino style, the three-hour film doesn't really hold together as a cinematic experience. Revenge and reunion don't mean a happy ending, not for former slaves in the pre-Civil War South. Elements of the film remind viewers of better Tarantino films, but big fans would be better off renting "Pulp Fiction" for the zillionth time, to remember when Tarantino put together pulpy violence and pop culture dialogue in a fresher, more complete way.

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Source: http://entertainment.nbcnews.com/_news/2012/12/21/16071394-blood-soaked-django-unchained-isnt-for-everyone?lite

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Monday, December 17, 2012

Switched On: The roads to home automation

Each week Ross Rubin contributes Switched On, a column about consumer technology.

Switched On The Roads to Home Automation

At a dinner event several years ago, a former editor-in-chief of a major computing trade magazine told attendees that his first published article was about home automation. That article ran back in 1979 -- just two years after the debut of the Apple II and two years before the introduction of the IBM PC.

Indeed, in its early days, home automation, like the PC, was confined to hobbyists more concerned with being able to do things rather than their practical value. However, the PC proved itself first in business and then with games, word processing and the consumer web as the internet grew. Meanwhile, home automation has largely remained the province of the very wealthy and corporations. Indeed, we're still likely many years away from all of us having smart homes, but there are signs of that future approaching and putting the squeeze on today's high-end installations both from above and below.

Continue reading Switched On: The roads to home automation

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Source: http://www.engadget.com/2012/12/16/the-roads-to-home-automation/

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Thursday, December 13, 2012

Deadline On Health Insurance Exchange Is Coming Up

Friday, Dec. 14 is the day for Arkansas to decide whether to set up a health insurance exchange as part of the federal health care law.

The state had sent a letter several weeks ago indicating it would likely go with a partnership with the federal government, rather than setting up its own exchange.

The president extended the deadline until Friday and the governor had asked legislative leaders if lawmakers would rather have a state-run exchange, but Governor Mike Beebe said on Wednesday that discussions are still ongoing since the legislature is still weighing options.

Meanwhile the governor says talks also continue about whether Arkansas should expand Medicaid as part of the health care bill.

?The various constituencies out there from doctors to hospitals, to patients, to insurance companies, to everybody else involved, are providing information as well and are making their feelings known. That?s part of the democratic process. It?s a working progress,? said Beebe.

The Obama administration said it won?t give extra money to states that block full Medicaid expansion.

Source: http://www.kuar.org/kuarnews/84043-deadline-on-health-insurance-exchange-is-coming-up.html

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